"I wanted to give this class because I wanted to paint like Pollock with a group of people who want to paint like Pollock." This is how artist Kay Gering introduced her workshop students at a multi-generational cooperative camp in Ottsville, PA (ECRS) to the drip and splash technique of abstract expressionistic Jackson Pollock. Pollock pioneered the form in the 1940s and early 1950s. He was much more interested in the physical act of making art than the results on canvas, Gering explained. With dozens of colorful, acrylic house-paints donated by her contacts, Gering set her group out with cups, straws and sticks to create Pollock-like art on oversize white and black canvases and to over paint some smaller art reproductions. Your correspondent interviewed one participant, T, as she moved about the canvases, paint cup in hand. For her, the class had special significance. T recently attended the critically acclaimed stage production of the French produced "Pollock" in which her daughter starred as Pollock's ambitious artist wife, Lee Krasner. Watch campers, young and old, splash paint on large canvases in imitation of abstract expressionist artist Jackson Pollock.
When Philadelphia Inquirer syndicated columnist Trudy Rubin called on a young man to pose his question after her talk, "7 years, 4 months and counting: the Syrian Civil War" at the Church of St. Martin-in-the-Fields, Philadelphia on Saturday evening, she addressed him by name. In an interview afterward, M. Eisa, a Syrian refugee, who had been living with church Reverend Jarrett Kerbel, echoed what Rubin had concluded- that the presence of foreign forces from Russian, Turkey and Iran fighting in pursuit of their individual agendas bode very poorly for the civilian population remaining after millions of Syrians have fled. As Rubin put it, they are fighting over Syria's dying body. Rubin believes the United States missed an opportunity to militarily back non-Islamist rebel forces many years ago and a United Nations powerless against Russia's security council veto, has sealed Syria's fate. M Issai says he tempted fate in 2013 when he stayed amidst regular bombing by the Russian supported Assad regime of his Homs neighborhood in order to finish 9th grade exams. He then fled with his mother to Turkey via Lebanon, received a scholarship to attend Friends Select High School in Philadelphia in 2016 and now is bound for Bard College in upstate New York where he intends to study philosophy. Of friends and family, he has lost a lot. "I don't think there's a single household in Syria that hasn't suffered losses." Grandparents and aunts who remain are facing economic hardship and food shortages. Watch video interview of young Syrian refugee describing escaping bombings by his own government and taking refuge in Turkey and U.S. and the plight of his remaining countrymen and women and kin.
At a preservation workshop through the Mount Airy Learning Tree, Free Library of Philadelphia conservator and private consultant Meg Newburger explained, often in hushed tones, the threats to books, paintings, ephemera and other treasured objects posed by aging and exposure to the environment and pests. Then she conducted a hands-on demonstration of the archival materials and methods for keeping our precious items intact for posterity, an art and science she had clearly mastered