Upper Bucks Chamber and Visitors Center Executive Director Danielle Bodnar treated your correspondent to a little tour of the Center's museum. A 1902 motorized buggy is one of the many treasures on display. The Chamber partners with The Quakertown Historical Society which provides historical artwork, memorabilia and binders of old newspaper clippings and photographs and more for the center museum. Bodnar says people like to come in and take a trip down memory lane by searching the archived Quakertown High School yearbooks for, say, pictures of their grandparents or to research some family genealogy. Outside the Center, she pointed out historic Liberty Hall across the way where the Liberty Bell was temporarily hidden on its way from Philadelphia during the Revolutionary War to keep it safe from the British. And Bodnar added that the Richard Moore house on Main Street will be honored this September 14th for keeping escaped slaves safe during civil war times. A historical marker will be placed at the building which served as an important stop on the Underground Railroad. Watch highlights of Quakertown visitor center tour here.
Your correspondent came across well-known deer advocate Bridget Irons sitting on a bench along Forbidden Drive in the Wissahickon getting ready to take off on her constitutional. Irons has been fighting against the deer cull in the Wissahickon woods for many years now. She related that she had written to Philadelphia City Controller Rebecca Rhynhart back in April asking that the financial costs of the deer cull be disclosed. She was encouraged when she soon heard back from First Deputy Kellan White who was to look into the matter but now, four months later, she still hasn't heard back. (According to the Controller's Office on August 15, 2019, White was still gathering the information) Aside from the contentious issue of whether the damage to the forest caused by the deer browsing on the under-story vegetation justifies bringing in sharpshooters each winter, Irons believes that the public has a right to know how much money city government is spending on the deer cull program. Your correspondent suggested that she may be able to retain a sympathetic pro bono lawyer to help deliver the information the public likely has a right to know. For this photo, Irons obliged your correspondent by striking the signature arms-up-in-the-air pose of presidential candidate Bernie Sanders. ADDENDUM: From the Chestnut Hill online edition of May 18, 2018, "After 20 years, once-controversial deer cull is now routine": " These yearly efforts usually cost the USDA and the Parks and Recreation about $40,000 a year, an increased rate since the program’s start in 1999, [Parks spokesperson Barry] Bessler said."
Renny Molenaar and Rocio Cabello, owners of the iMPeRFeCT Gallery in the Germantown section of Philadelphia were approached by Simone Spicer and Virginia Maksymowicz,two artists whose work was not accepted at this year’s Woodmere Museum’s annual juried art show. (Out of 638 submissions, Eileen Neff, Woodmere's juror this year, chose the work of ninety-four artists)Spicer and Maksymowicz had the idea to mount an exhibition of rejected works, fashioned after the famous “Salon Des Refusés” exhibit in Paris in 1862 of works rejected by the conservative French Academy of Fine Arts, some by now very notable artists of the time - Gustave Courbet, Édouard Manet, and Camille Pissarro. iMPeRFeCT Gallery was game and just happened not to have a show scheduled for July. Unable to obtain the list of applicants to the Woodmere Annual, Cabello says the pair mounted an online campaign through Spicer's connections with the “Dumpster Divers” and other groups to find other artists whose submissions had been rejected by the Woodmere this year. Twenty five artists answered the call and your correspondent was able to briefly see the exhibit the Saturday afternoon it closed. In addition to the exhibit, the Gallery hosted a round table discussion at which artists, actors, writers and other creatives talked about the effect of rejection. Rejection of a career choice to be an artist begins with one's family, Molenaar lamented. "You want to be a what?" Cabello added that rejection is harder for younger artists because they take it personally, thinking they're not good enough. There are many reasons behind rejection, she elaborated. "There are space limitations, there are a theme to a show that maybe your art work didn't fit a certain theme or vision..." Your correspondent, impressed with both the works of art in the show and the dynamism of the gallery owners made his exit as Cabello began to prepare a vegetable salad for the gallery's traditional monthly"Last supper." Supporters cater a dinner on an exhibit's closing night as fundraiser or "rent party."