CLOSE UP Video Interviews

Damian Garcia , a member of the IUOE (International Union of Operating Engineers) Local 542, has been working in demolition for 20 some years and loves it. He may have single-handedly demolished the 1903 building at 30 West Highland Avenue in Chestnut Hill with a large powerful excavator, sometimes switching to a smaller bobcat bulldozer to move around piles of debris. (Of course he had a support team including laborer Melvin McClure who directed the action) According to an article in the April 28, 2021 Chestnut Hill Local, “The existing building was built in 1903 but does not qualify for historic preservation because of substantial changes made in the late 50s and early 60s. The plan is to tear down the original building and industrial garages, dig up the concrete drive and replace them with eight townhouses, 12 trees, a permeable-surface driveway, a 'pocket' park and a residential walkway with small lawns. The main issue for the neighbors, they said, is density. The proposal, they say, is too tall, too many houses.” The building had housed the EB O’Reilly HVAC business.

Over the course of about a week, Garcia brought down the structure and loaded most of the debris, which he had carefully separated into piles of wood, metal and stone into a dumpster truck. Garcia related that his company, Geppert Bros., Inc.,  had roots in Chestnut going back nearly 100 years when it was founded as Chestnut Hill Extraction. A short history of the related Geppert companies can be found bellow.

Before embarking on demolition Garcia studies the safety plan and determines the placement and orientation of the building’s trusses. Taking down a building is like solving a puzzle, he says and he takes it step by step. He often used an I-beam from the building as a poker securely held in the excavator’s grapple to brush the fragile stone wall, causing the pieces to crash down into dusty piles,“nibbling” away at it. He also used the large grapple to push over other sections of wall. For the second level wood flooring and the roof, he used the grapple’s large powerful jaws to take bites out of the structure. The main controls he uses are to raise and lower the boom, open and close the grapple’s jaws and to swing the boom left or right. After your correspondent complimented him on how delicately and skillfully he operated the excavator he demurred. “It’s not that hard but it is dangerous…the building could fall off on you, fall on somebody, hurt somebody. You just got to know what you’re doing.”

Interview of operating engineer and archival movies of the demolition process can be viewed by clicking here.

Still photos of the demolition can be found here.

Thanks to Alex Bartlett of the Chestnut Hill Conservancy for exploring the archives.

Docent Charlie Karl gives a floor-by-floor history tour of the Rosenbach Museum and Library in downtown Philadelphia. Known for its collection of important manuscripts first additions, illustrated copies of literary works and artifacts the Rosenbach houses the personal collection of the rare book dealer Dr. A.S.W, Rosenbach. With his brother, Philip, he had a 50 year run as a dealer in books and manuscripts. "Renowned dealers in books, manuscripts, and fine art, the brothers played a central role in the development of private libraries that later became our nation’s most important public collections of rare books, such as the Folger and Huntington Libraries."  (from the Museum's website). Karl sprinkles narrative with anecdotes. For an exhibition to celebrate Herman Melville’s Moby Dick, first published as “The Whale,” lamps were lit with whale oil. At the very top of the multi-floor staircase, we encounter a miniature model version of the Rosenbach’s New York office. So much attention is paid to detail that six tiny books in the model are actually miniaturized books. Watch video tour here.

MORE PHOTOS HERE

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A portrait of the renowned actress Fanny Kemble painted by James Sully in 1833 is the departure point for docent Charlie Karl’s fact-filled and wry tour of the Rosenbach Museum and Library. Karl relates that Kemble, who came from a renowned British theatrical family traveled to the U.S. with her father in 1832 to do dramatic Shakespeare readings along the East Coast. During a stay in Philadelphia she met Pierce Butler and in 1834 they married. Britain had abolished slavery in 1833. The fact that her husband owned 700 slaves on a Georgia plantation and made trips there without the family was such a source of discomfort to Kemble that she insisted on going with her husband and children to visit. There she journaled and tried to improve the lot of the women slaves. The experience became the basis for her book “Journal of a residence on a Georgia plantation” not published until Kemble had divorced, returned to England and the civil war had ended. In her later years, Kemble, who saw herself more as an artist and writer, resumed dramatic readings, crisscrossing the ocean. Watch video of portrait and short life story of actress writer Fanny Kemble here.

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In a room of the Rosenbach Museum and Library dedicated to the literature of Scotland, Wales, England, and Ireland the James Joyce manuscript of Ulysses sits in several boxes behind a glass covered bookcase. Guide Charlie Karl recites a ditty Joyce had written exhibiting his distain for Dr. A.S.W. Rosenbach, as a collector.

“Rosy Brook he bought a book
Though he didn’t know how to spell it
Such is the lure of literature
To the lad who can buy and sell it”
(According to the Rosenbach blog, a telegraph operator had apparently misspelled the title in a message)

Karl relates the backstory: At a manuscript auction, Rosenbach had purchased acclaimed Joseph Conrad manuscripts for a hefty sum but was able to acquire Joyce’s Ulysses manuscript from a collector, to whom Joyce had sold it, at a relative bargain. Subsequently, Joyce wanted the manuscript back but Rosenbach declined. Karl posits that Joyce didn’t really sufficiently appreciate Rosenbach as a bibliophile, who held literary works in such esteem that he mentored a generation of private collectors and enthusiasts dedicated to the preservation of these works. Watch video here.