"I wanted to give this class because I wanted to paint like Pollock with a group of people who want to paint like Pollock." This is how artist Kay Gering introduced her workshop students at a multi-generational cooperative camp in Ottsville, PA (ECRS) to the drip and splash technique of abstract expressionistic Jackson Pollock. Pollock pioneered the form in the 1940s and early 1950s. He was much more interested in the physical act of making art than the results on canvas, Gering explained. With dozens of colorful, acrylic house-paints donated by her contacts, Gering set her group out with cups, straws and sticks to create Pollock-like art on oversize white and black canvases and to over paint some smaller art reproductions. Your correspondent interviewed one participant, T, as she moved about the canvases, paint cup in hand. For her, the class had special significance. T recently attended the critically acclaimed stage production of the French produced "Pollock" in which her daughter starred as Pollock's ambitious artist wife, Lee Krasner. Watch campers, young and old, splash paint on large canvases in imitation of abstract expressionist artist Jackson Pollock.
At a preservation workshop through the Mount Airy Learning Tree, Free Library of Philadelphia conservator and private consultant Meg Newburger explained, often in hushed tones, the threats to books, paintings, ephemera and other treasured objects posed by aging and exposure to the environment and pests. Then she conducted a hands-on demonstration of the archival materials and methods for keeping our precious items intact for posterity, an art and science she had clearly mastered
The “Travers 5” students at Trenton State College in Ewing, New Jersey were an “intentional democratic community” of young men and women on the fifth floor of the Travers dorm in 1976-1977 and 1977-1978. They governed themselves and with the $5000 they received for cleaning the bathrooms, they re-signed from “men” and “women” to “people” they went on camping trips and held bi-weekly parties. On April 28, 2018, forty years later, some 25 of their number including your correspondent’s spouse descended upon what is now “The College of New Jersey” for Alumni day festivities on the much renovated campus and gleefully revisited the bright student painted hallways where they once lived, studied and caroused. Watch video of alumni reunion 1970s coed dorm students with their unisex bathrooms and parties.
Vera McChesney, 104 years old, graduated with a degree in early education in the first class, 1934, from the all women Trenton Normal School at its new location at Hillwood Lakes in Ewing, New Jersey. Accompanied by her nephew Sam Persi on April 28, 2018, she was honored as the most senior at alumni day celebrations at what is now The College of New Jersey. Attending her class’s 84th reunion, she bested the next most senior alum by 19 years. Her nephew recounts she acquired two graduate degrees and retired as director of library services for the Mesa public schools in Arizona. Watch video of oldest alumna by far at the Trentnon Normal (State)/ The College of New Jersey alumni day.
On a warm early spring day Tony Roman was setting out vintage items for a yard sale. First catching your correspondent’s eye was his Aunt Phil‘s ornately framed convex mirror. According to Roman, she had picked it up at a yard sale on Lincoln Drive in 1930. 88 years later here it was back in a yard sale! A handsome high wooden chair with a low back took on additional appeal when Roman explained that it’s a draftsman’s chair specifically designed with slightly shorter front legs so as to tilt the draftsperson forward over the work table. An early Bendix record player housed in a wooden cabinet with storage space below for records was also on offer. Senior talks about vintage furniture, sterio, draftsman's chair, convex mirror at yard sale in video interview
5/21/2018 UPDATE: According to Brad Maule of Mt Airy USA, the selection committee is seeking additional submissions but anyone visiting the official website for the project http://mtairyusa.org/cresheimproject/ would not know that the deadline of April 13 for artist submissions has been extended.
Before a couple dozen community members at the newly renovated Lovett Library this past Monday evening, Cathy Harris of Philadelphia Mural Arts issues a call for artists to design a mural for the rusted abandoned railway trestle over Germantown Avenue below Cresheim Valley Drive. First envisioned fifteen years ago, the project is being relaunched now that the City of Philadelphia is acquiring the former Pennsylvania Railroad trestle from PECO. Brad Maule of Mt Airy USA, a project partner, provided historical information on the structure and Mural Arts founder Jane Golden encouraged attendees to "spread the word" to artists to answer the "Call for Submissions." The Deadline for submissions is April 13, 2018. Your correspondent has posted a PDF of the "Cresheim Trail Mural Project Call for Submissions" here until it becomes available online from the collaborative which also includes the Trolley Car Diner, Friends of the Cresheim Trail (FoCT), Elfant Wissahickon Realtors, Chestnut Hill Rotary, the Mount Airy Learning Tree and ChestnutHIllPa. The abandoned railroad is being converted to a trail linking Mount Airy and Chestnut Hill with Springfield Township. See reporter Sue Ann Rybak's coverage in the January 18, 2018 Chestnut Hill Local The mural’s completion is intended to coincide with the opening of the extension to the existing trail which begins at Allens Lane and Lincoln Drive. In June the public is welcomed to vote "in several community locations" to choose a winner from among a handful of proposals narrowed down by Mural Arts. After the meeting, I approached Sam Hanna who had been intently taking notes during the presentations. As a business account manager for the Center for Employment Opportunities, Hanna planned to relay what he had learned to a client. While in prison for twenty years, that client began to do art. And after getting out last year at the time of the Monday evening meeting, was at a job he had just started. Things are looking up.
(In the photo left to right -standing: Brad Maule of Mt Airy USA, Jane Golden and Cathy Harris of Mural Arts Philadelphia, seated 2nd from left- Sam Hanna of CEO and Judy Weinstein of MALT)
A couple blocks away from the Alexandria Virginia Archaeological Museum, sea biscuits were found at the site where a bakery stood in the early 1800s. Also known as hardtack, the biscuits were food for long distance travelers and sailors because flour mixed with water then baked dry could last without spoiling (for a long time) At the museum on New Year’s Eve day, archaeologist Hilary Huley, helped visitors like your correspondent mold and imprint our own sea biscuits to take home for baking (but not consuming) Watch video making hardtack in historical Old Town Alexandria Virginia
In celebration of its 50th anniversary the Chestnut Hill Conservancy ( formerly the Chestnut Hill Historical Society) has joined its longtime partner, the Friends of the Wissahickon (FOW) to mount an exhibition of iconic historical photos of the Friends housed in the Conservancy archives. Co-curators Alex Bartlett and Giulia Morrone (shown above) were on hand at the opening of the exhibit on Wednesday September 13 and discussed how they whittled down their selection to the fourteen large reproductions that the FOW hallway exhibition space could accommodate. Among the noteworthy photographs are one of African-Americans fishing in the creek across from Wissahickon Hall, formerly an inn but more recently home to a police department district. The bicentennial photo of many revelers parading down Forbidden Drive on Wissahickon Day, some in a covered wagon, stands out because photos of one or two upscale riders were more common. A favorite is one of people skating on the frozen creek. These and the other photos reveal what Bartlett says are some of the hidden histories of the Wissahickon.
Old Frederick County Courthouse Civil War Museum Guide Carol Miller recounts that Winchester Virginia changed hands many times between the Union and Confederate forces during the Civil War. And during the war, the Courthouse was used as a hospital, barracks and a prison by both sides. During restoration, a curse on the Confederacy President Jefferson Davis was found carved into the wall in the upstairs area, presumably by a union soldier, and is on view with many rifles, swords, shot, and relics of the conflict. Miller read the inscription aloud from memory and says its imagery reflects influence of the fraternal organization of Masons. "To Jeff Davis may he be set afloat on a boat without compass or rudder then that any contents be swallowed by a shark the shark by a whale whale in the devils belly and the devil in hell the gates locked the key lost. And further may he be put in the north west corner with a south east wind blowing ashes in his eyes for all eternity."